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Derrida, J. (1990). Mémoires d’avegule: L’autoportrait et autres ruines. Paris: Éditions de la Réunion des Musées Nationaux. Translated (1993) as Memoirs of the Blind: the Self-Portrait and Other Ruins. Chicago: University of Chicago Press.
Fisher, E. and Fortnum, R., eds. (2013) On Not Knowing: How Artists Think.
Hull, J. M. (1990, 2013) Touching The Rock: An Experience of Blindness. London: SPCK.
Ingold, T. (2007). Lines: A Brief History. New York: Routledge.
Josipovici, G. (2006). Everything Passes. Manchester: Carcanet.
Kandinsky, W. (1947). Point and Line to Plane (Punkt und linie zu fläche), New York : Solomon R. Guggenheim Foundation.
Kleege, G. (1999). Sight Unseen. New Haven, CT and London: Yale University Press.
Kleist, H. v. (1878). "Über das Verfertigen der Gedanken beim Reden" in: Werke in einem Band (1996) Munich: Carl Hanser, pp. 810-814. This translation "On the Gradual Formation of Thoughts in the Process of Speech" by Harbsmeier, C. (1996)
Marks, L. U. (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham NC: Duke University press.
Margolies, E. (2015). "Going to hear a dance" in: Performance Research, 20:6, pp. 17-23.
Maxwell, G. (2012). On Poetry. London: Oberon.
van Alphen, E. (2008). “Looking at Drawing: Theoretical Distinctions and their Usefulness” in Garner, S., ed. (2008) Writing on Drawing: Essays on Drawing Practice and Research. Bristol: Intellect Books, pp. 59-70.
